Paint Da Sharks

As promised I'm back today with some painting process stuff. I'm painting a series of sharks to make a taxonomy of them to sell alongside my dolphin and crystal prints at Crafty Wonderland. Even though they aren't conceptual pieces, I'm trying out some different painting techniques than usual and thought I'd share the joy. Today I'll be focusing on a Thresher Shark I've painted. Here's the initial sketch I spent all of 5 minutes on.

Thresher Shark Sketch Painting Process

You can see I just focused on the form of the shark and made a couple lines to note the curves of the form, meaning that the top is lighter then the middle or bottom, etc. Okay, so now for the good stuff. I heard somewhere that if you tend to use desaturated color you should make your underpainting really saturated and have decided to start trying that. For this series I also decided to play with hue by using whatever color I felt like, reality be damned, and only concerning myself with the saturation of the color to make the shape of the shark make sense in space. So here is a pic of my first hideous layer of paint for this guy.

Thresher Shark Underpainting Painting Process

I know, it's like "shield your eyes" right? While I painted this layer I looked at shark reference photos to determine what colors I could find in their bods, and then threw in some hot pinks and lime greens because I felt like. As I layered more gouache over the shark, I continued to focus on making shark body parts that were farther away from me less saturated and maintaining a soft lighting scheme. A few layers later he looked like this.

Thresher Shark Painting Process Layering Gouache

So by this point the shark is starting to make a little more sense I think. I've already made a lot of notes with my colors and have pretty much stopped looking at any reference images by now. Now I'm just working on making my shark seem dimensional. So I paint paint paint until he looks like this.

Painting Thresher Shark in Gouache Process

By this point a lot of the work is done, but detailing becomes really important. For instance the eye and face of the shark needed more definition at this stage. And I wanted to be sure to add highlights to make him look more fishy. I also wanted to darken his belly a bit to make him seem rounder. So I addressed all the things and here's a pic of the finished shark as he actually looks, as well as a picture of him after I took him into photoshop and played with hue until I found out it would have been better if I'd made him red.

Gouache Painting Thresher Sharks Illustration

The above infographic is brought to you by The Curious Wild, proving once again that hindsight is 20/20 and that red is better. Thanks for stopping by and, until next time, stay wild my dudes.

Crabs, Fish, Turtles & Birds

This week I have lots of lil' bits to share, so let's get right to it. I hinted in my last blog post about a delusional crab I'm going to paint, and I can now share with you the concept sketch for the painting I'll be doing.

Boxer Crab and Fox Skull Painting Concept Ink Sketch

Why is this Pom Pom Crab delusional? Because he thinks he owns the little plot of skull-land he's standing on, and is vigorously preparing to defend it with his filched anemone Pom Poms. However, below him are some octopus eggs, evidence that a lady octopus is living beneath the skull, and there are some tiny fish hiding out in the skull's nose that call it home too. He's a deliciously inglorious crab, and once I thought of his oblivious character I knew I had to make this a painting. 

I've already done some color studies in Photoshop for this piece, and am currently waiting for the gesso to dry on my wood panel to start the actual painting process. I'll share the stages of this crab with you in an upcoming blog post as I complete it, which should happen next week. 

In the meantime I've been working on creating a series of notebooks that are dear to my heart. This is where "growing as an artist" comes in. For whatever reason I've always tended towards a degree of realism and felt compelled to put lots of detail into things. So I decided I wanted to see what it's like to draw the simplest versions of animals that I could, fighting my inherent tendencies for the sake of stylization.

I decided to do this experiment on a series of notebooks called Land, Sea & Sky with each notebook having an animal representative for their respective space on Earth. For Land I decided to draw turtles, for Sea I drew fish, and for Sky I'll be drawing birds. I wanted to have fun with shapes and colors, and to practice making simple things that have personalities. At first the struggle was real. So my mantra was "keep it simplest", and I tried to imagine each animal I drew in sunglasses for attitude. After I finished drawing the fish I felt like the turtles came along much easier, and now I'm really looking forward to giving the birds a go. Here are some of the fish and turtles.

Illustrated Fish Notebook
Illustrated Turtles Notebook

Aside from the fact that fish, turtles, and birds are uniquely important animals to me, these notebook designs are special for me because I learned that I can keep it simple and enjoy myself making something without obsessing over details. The notebooks themselves will be made available in my online shops at some point in the near future, so keep an eye out if you'd like to get one. Until next week, stay tuned and stay wild!